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East Africa Art

Apr 13 '14
artafrica:

Ethiopian milk jug

artafrica:

Ethiopian milk jug

Apr 12 '14
artafrica:

Lalibela cross with Ethiopian coptic  prayer book made of goat skin

artafrica:

Lalibela cross with Ethiopian coptic  prayer book made of goat skin

Apr 11 '14

southsud:

Acholi Bag

Region: Masindi District Kibanda County Kiryandongo Refugee Settlement [Southern Sudan]

Materials: Nylon Synthetic, Wool Yarn Animal, Animal Leather Skin, Wood Plant
Maker: Members of the Equatoria Civic Fund women’s group
Apr 10 '14

Practice session of the all-female Rwandan drumming group, Ingoma Nshya

Watch also an outdoor performance and another using a linear formation

Ingoma Nshya have performed all over the world, including in GomaHarare, Johannesburg, Washington Square Park, the Brooklyn Museum and at the 2013 Skoll World Forum on Social Entrepreneurship

They have also featured in a documentary (here is the official trailer) and collaborated with Andean musicians

Apr 10 '14
artafrica:

Decorated metal shield Toposa tribe of Southern Sudan

artafrica:

Decorated metal shield Toposa tribe of Southern Sudan

Apr 10 '14
Frogs on pond by Paul Ndunguru
Paul is a renowned visual artist, performer, and educator in Tanzania. He has shared his work across Asia, Europe, and Africa. He works for the Tanzanian Books Project as an illustrator and makes comics, sculptures, paintings, and he is a lead singer and a composer for the Wahapahapa Band. Paul is an executive director for Alama Art and media Production Ltd. The company works with several projects developing, designing and producing radio drama and story boarding for TV. They also design printing material for promoting the radio and TV programs. Furthermore Paul is the Nafasi artist board representative.

Frogs on pond by Paul Ndunguru

Paul is a renowned visual artist, performer, and educator in Tanzania. He has shared his work across Asia, Europe, and Africa. He works for the Tanzanian Books Project as an illustrator and makes comics, sculptures, paintings, and he is a lead singer and a composer for the Wahapahapa Band. Paul is an executive director for Alama Art and media Production Ltd. The company works with several projects developing, designing and producing radio drama and story boarding for TV. They also design printing material for promoting the radio and TV programs. Furthermore Paul is the Nafasi artist board representative.

Apr 7 '14
Safina Said Kimbokota was born in 1982 in Lindi Region, Tanzania. She moved to Dar-es-salaam at the age of eight and has lived in Dar-es-salaam since then. She was born into a very creative family where by her mother was a creative person and she was influenced from an early age by the wide range of creative expressions going on around her. She was encouraged to explore a variety of interests throughout her childhood but it was not until her final year of secondary school that she realized her passion for fine art.She went to Uganda in 2001 to study at the Namasagali College in Jinja,Uganda. Then to Bagamoyo College of Arts in Bagamoyo Tanzania and in 2008 She joined University of Dar-es-salaam,Tanzania and completed her Bachelor of Fine Arts in 2011, she has been concentrating on developing a career as both a painter and a sculptor. She is a member of several organizations TNC for (AIAP), WAC (Women Are Creators), (FPASA) Fine and Performing Students Association) Also has been involved in a variety of Workshops, Projects and group exhibitions inside and Outside Africa. She currently lives and works in Dar-es-salaam, Tanzania.
Email: skimbokota@gmail.com

Safina Said Kimbokota was born in 1982 in Lindi Region, Tanzania. She moved to Dar-es-salaam at the age of eight and has lived in Dar-es-salaam since then. She was born into a very creative family where by her mother was a creative person and she was influenced from an early age by the wide range of creative expressions going on around her. She was encouraged to explore a variety of interests throughout her childhood but it was not until her final year of secondary school that she realized her passion for fine art.
She went to Uganda in 2001 to study at the Namasagali College in Jinja,Uganda. Then to Bagamoyo College of Arts in Bagamoyo Tanzania and in 2008 She joined University of Dar-es-salaam,Tanzania and completed her Bachelor of Fine Arts in 2011, she has been concentrating on developing a career as both a painter and a sculptor. She is a member of several organizations TNC for (AIAP), WAC (Women Are Creators), (FPASA) Fine and Performing Students Association) Also has been involved in a variety of Workshops, Projects and group exhibitions inside and Outside Africa. She currently lives and works in Dar-es-salaam, Tanzania.

Email: skimbokota@gmail.com

Apr 6 '14
Vendors, by Lutengano Mwakisopile
Apr 5 '14
Sam Ntiro   (Tanzania, 1923-1993)Agony in the Garden, circa 1950, oil on canvas

Sam Ntiro   (Tanzania, 1923-1993)
Agony in the Garden, circa 1950, oil on canvas

Apr 4 '14

Jacayl Dhiig ma lugu Qoray - Has love been bloodwritten

has love been blood-written
has marrow yet
been poured for it
a person peeled
the skin from their back or ribs
has expression of this
been offered in flesh
cut from the cheeks
has blood extracted
its colour still red
uncoagulated
been scooped from the arteries
poured into a milk vessel
have two people offered it
one to the other
as they would fresh milk
have they shared it happily

time-separated in spirit
in body as by a thorn fence
sworn to each other
one morning have two
after first soaking rain
the damp mist dense
in an unpeopled place
where apart from the trees
nothing stirred
become aware
of each other’s rustle

did that true meeting
seem a vision to them
brought by love’s plight
or its mirage
from time to time
as if suddenly waking
out of a dream
did their speech
desiring utterance
pass from a mouth
if just a howl
did words elude them
was the situation soured by this

did spots of ceaseless rain
emotion’s tears
spill from their eyes
did it soak their clothes
did they sweat compassion

disoriented with but
a stutter of movement
they were stuck
each time a word
no link with others
lacking substance
limped out alone
was it ten days later
their tongue and palate
found strength for it


but they are born for success
of equal standing
parted for so long
did they greet one another
exchanging stories
did each for their part
pass on the trials
sustained through their love
did they read the message
exchange their news

love was a food store
which when it was heated
with charcoal and fire
the glowing embers
of emotions stirred
did they fill a large pot
time after time
drag the enclosure’s
night-time gate
each one with tender eyes
seeing nothing harmed the other
did they listen thus
for a whole year

did the talking end
did they then spend
half a day
in this silent way
as the daylight fell
from their staring gaze
their inflamed thoughts
did they pass that night
like the camel herders
in nocturnal endurance
of cold and dark
difficulties bringing illness

did the dawn then glow
and the sun call out
approaching each other
not crossing the boundary
of mores and modesty
longing for a balm
with a mere forearm
between them did they stand
bodies held straight
opposite each other
avoiding the step
of moving closer
resisting the play-touch
the youthful way
the taste glimpsed
in the distance
did they just behold each other
through their eyes

they stood on the spot
each one gazing
standing upright
did it last a thousand nights

the legs of the termite
emerged from the earth
breaking the surface skin
did it peel their bodies
consume the flesh
did it wound the veins
pass to the nerves
persisting
to the very inside of the bone

the bad news
it places in you
that you look on with fear
is the trials and your death
did they welcome it
with their whole body and a smile

there’s a flower which blooms
after morning’s compassion
has refreshed it with dew
it brings forth a red liquid
for the mouth to sip
its stamen and stigma
entwine like a rope
was it this they exchanged
offering as a legacy
did they present it to taste
as the last earthly food of love
did they place at the other’s ear
the word which was missing

the termite gathered up
sand and detritus
forming clay diligently
rendering and plastering
did it transform those two
did a building arise
did it mould from them
a structure of wonder
a lofty termite mound
famed for its thickness and strength

roaming in the sun-heat
of daytime did people
in the dry season grazing lands
rest in its shade
then move away in the evening
unaware of the reality
of the story that deep inside
this shady backbone support
two souls await the outcome of truth

if self sacrifice is not made
the breath of life not exchanged
if one does not wait
for an enduring legacy
the building of a house upright
children and earthly sustenance
then the kisses and intentions
are nothing but superficial
a poison sipped to satisfaction
in that one same moment
like hyenas snatching
a girl of good repute
as they hide themselves
in the higlo tree
to pounce out quickly
each man is expectant
for what will fall to him
a hyena and his grave hole
the honour he has trampled
the modesty he has snatched
the lying illusion
this does society harm

did he strive for the highest level
of fulfilment of love
that closest to honour
or is something still missing

By Maxamed Ibraahim Warsame ‘Hadraawi’

Translated by Martin Orwin

(Source: poetrymagazines.org.uk)

Apr 3 '14
Francis Nnaggenda, ‘Don’t look behind’ - Sculpture / Wood-Silver

Francis Nnaggenda, ‘Don’t look behind’ - Sculpture / Wood-Silver

(Source: kentaro-art.com)

Apr 2 '14

Sam Ntiro   (Tanzania, 1923-1993)

Top: Working on a Winding Road

Bottom: Log-cutting in the Forest

(Source: stevenson.info)

Apr 1 '14
Sam Ntiro (Tanzania, 1923-1993)Market Day, 1955, oil on board

Sam Ntiro (Tanzania, 1923-1993)
Market Day, 1955, oil on board

(Source: stevenson.info)

Apr 1 '14

Dickson Kaloki is a creative powerhouse, dabbling in fashion design, film, music, and sculpture. Raised in the Mukuru Kayaba slum in Nairobi, Dickson was forced into creativity from a very young age and reflects on making his own toys. “I fell in love with the slums from as far back as I can remember”.

Painting the slums was an escape for him. It was artistic expression without thought for commercial value but it has turned into a professional career. Painting the slums combines his history and upbringing with a fascination about the uncertain future of the slums. “In 50 years, the slums will be no more.” Kaloki says. His paintings document this moment in Nairobi’s history.

In this episode of INDIE CITIES, we travel to the Mukuru slum, where Dickson grew up, and see him sketch out the plans for his latest artwork. We then visit his current art studio at the Kuona Trust and see his unique creation process.

Discover more about Dickson here: http://www.dicksonkaloki.com

INDIE CITIES is a short film series celebrating independent stores and craftspeople from around the world.

Join the movement…
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Hand Crafted by STAY GOLD STUDIOS: http://www.staygoldstudios.com

Mar 31 '14

Sam Ntiro (Tanzania, 1923-1993)

Top: Gathering in the village

Bottom: Collecting wood in the forest

(Source: stevenson.info)